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Baahubali 2: The Conclusion Review

Baahubali 2: The Conclusion Review – Baahubali 2 is a Telugu historical fantasy fiction released in 2017. This movie is a sequel to the Baahubali: The Beginning released in 2015. Shivdu, after rescuing his mother from the prison has to take over Mahishmati kingdom by defeating Bhallaladeva to regain his father’s glory. The movie is also released in Tamil, Malayalam, and Hindi as well.

More than Shivdu’s plight, the expectation has turned towards the reason as to why Kattappa had killed Baahubali. There are no much surprises here. I am not going to reveal it and spoil the fun for you.  The movie is an out and out visual grandeur with a lot of war sequences. The visual effects are quite stunning with some great production quality. Rajamouli is a true magician for he makes everything believable and when you sort of think logic he has slipped in emotions for you to overlook it.  Prabhas, Ramyakrishnan and Sathyaraj have a more elaborate role to play in this edition. Anushka plays a younger avatar and the love interest of Amarendra Baahubali. Rana’s performance comes only in the second half of the movie.

Certain key sequences in the movies have been done really well. The initial war sequence in Anushka’s palace, the pivotal scene of Kattappa killing Baahubali, the interval block. All these sorts of gives you goosebumps.  There are many minimum guarantee cliched sequences as well in an attempt to please a wider variety of audiences like the introduction of Prabhas, catapulting using a Palm tree, the final war sequence. Despite these the movie still keeps you engaged for the 2 hours 47 minutes of run time. The creative touch in the titles using brass statue figures to cover the highlights of the first part of the movie is brilliant.

One of the key element I look forward to in Rajamouli’s movies is the characterisation. The stand out is the characterisation of Rajamaata and Amarendra Baahubali. Rana and Anushka’s characters have been constructed well. I felt Kattappa’s characterization has mellowed down from the first part. He fills in for the role of hero’s sidekick in the first half of the movie. While the performance is enjoyable, but having seen Kattappa fierce fully jumping on his enemies to save Sivagami this did not go well for me. While focussing on visual grandeur the script loses the emphasis on drama. For instance, Anushka trying to practice with two arrows just passes through subtle when compared to Shivdu’s irresistible desire to climb the mountain in the first part. You could see many instances where the script hasn’t given any time for you to soak in the drama of the scene. Whenever the drama is created even fewer instances it is quite a treat to watch for instance Bhallaladeva stopping his father from speaking in the meeting and letting him loose at an opportune moment, the crown ceremony during the interval block.

The climax fight looked to be a cloying overdose of special effects and emotions.

High Points: Visual Effects, the interval block as in the first part, Prabhas, Rana, Ramyakrishnan and Sathyaraj’s performance, the initial war sequences, Kattappa killing Baahubali.

Low Points: Cliched sequences of the hero worship. The BGM scores well in key sequences otherwise it was a forgettable affair for me. Kattapa’s character transformation to be hero’s sidekick performing comical acts. The Catapulting sequence using palm trees.

Overall Baahubali 2 is a much greater visual grandeur compared to its prequel. In a haste to cater to formalities, it fails to bring in the punch like its prequel. Nevertheless, it is a treat to watch this on the big screen.

Worth a Watch

 

 

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Oru Naal Iravil Review

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Oru Naal Iravil Review – Oru Naal Iravil is a Tamil thriller film released in 2015. Shekhar, an NRI lives with his family of wife and two daughters. He gives into the temptation of sleeping with a call girl. His friend Suri an auto driver arranges for it in an unused shop near his house. Circumstances lead them to be locked in the shop through the night and Shekhar fears of getting shamed if someone opens the shop during the day.

This is the debut directorial venture for editor Anthony. The film is a slick 100-minute thriller without too much of frills. Given this is the first movie for Anthony the output is definitely good and keeps the audience engaged throughout. The casting of the movie is also good. Sathyaraj’s performance stands out in the movie. He makes us feel the pressure of the situation very well. He shines in the scene where he hesitantly looks out of the auto as his friend talks to the call girl and immediately gets as she sees him. He is ably supported by Anumol, Yugi Sethu and Varun.

The movie is based on the Malayalam movie Shutter released in 2012 directed by Joy Mathew.  However, he has carefully tread over the boundary of maintaining the idealism of the protagonist. He could have been bold in crossing the boundary and shown the weaker side of the protagonist without having it look like a induced situation due to compulsion.

High Points: A slick thriller, No unwanted sequences, Sathyaraj’s performance.

Low Points: The plot has certain holes that help in creating the conflict.

Overall Oru Naal Iravil is a decent thriller movie that would keep you engaged throughout. If you are a fan of thriller movies go and watch this one. Looking forward to more such ventures from Anthony.

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Baahubali – The Beginning Review

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Baahubali – The Beginning Review – Baahubali – The Beginning is a Telugu is a historical fiction movie released in 2015. The film is the first of a two part series. Shivdu is found on the riverside and is raised by a small tribe family; he always wants to climb the big mountain near the village against the wish of his mother. He is able to do it when he grows up; this leads him to his roots from where had come from.

5 tablespoons of Mahabharat, one tablespoon of Ramayan and one tablespoon of masala ingredients from high packed action movies mixed well together. The dish that comes out of the above ingredients is what is Baahubali in a nutshell. Although it is made of the ingredients that we have tasted before, the dish is well prepared and fulfills our appetite like a grand feast. Director SS Rajamouli has dreamt big and kudos to him and his team to bring such a visual grandeur to the silver screen. The breath taking visuals, a native story, stunning fight choreography, powerful characterization all these make Baahubali a very compelling watch. The movie stays true to its promotion and what it had promised to offer; a historical fantasy story painted on an expensive canvas. Every frame has visual grandeur in it, right from the formidable falls to the large battlefield. Many of the characters and situations resemble many of the Indian mythology stories you would have heard but putting them in this combination is interesting. Prabhas, Anushka, Sathyaraj, Nassar, Ramyakrishnan, Rana Daggupati, Tamanna all of them have performed very well. Peter Hein’s stunt choreography is one of the highlights of the movie.

High Points: The narration, visual effects and characterization of Baahubali, Bhallala Deva, Kattappa and Sivagami shine in this first installment. The interval block for the movie was really powerful and is the high point in the movie for me.

Low Points: There are definitely some low points. There is very less differentiation between Shivdu and Baahubali. You don’t feel they are two different characters. There have been some sequences to please the fanfare on the opening day of the movie, which could have been avoided. The background score for such a visually stunning film was a bit let down for me.

Overall Baahubali is a visual treat, though it is a story you would have heard a million times still it is very interesting when SS Rajamouli narrates it. This one is a milestone in Indian Cinema and a Must watch for all Indian movie lovers.

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Poojai Review

Poojai Review – is a Tamil action drama released in 2014.  Thandavam a finance company head runs a huge network for contract killers. He is growing into a unstoppable force in the city. Vasu a local money lender crosses the way of Thandavam while trying to save a honest cop from his men. The life of Vasu is not the same any more as Thandavam vows to Vasu and his dear ones. Will Vasu be able to save his dear ones is the plot of Poojai.

Director Hari is still within his safe perimeter for the story line. Villain gets up taking bath in a temple pond, hero has to save his family from the villain, everyone in the heroes family rely upon him as the savior and dare devil who can with stand any opposition than any other law and order force. Hari should realize that his perimeter is a small one and there is only so much you could do within it to make a new story. Just by changing the lead actors cannot guarantee you a new film.

For Poojai, I guess Hari had run out of steam very quickly. For me the movie ended much before the interval block. But he had created a entire big family for the hero to move the story past interval block and make it a very tiring long movie. The villain doesn’t look fearsome at all. The reason is that Vishal is able to knock him down anytime he wants. I still didn’t understand why he forgives him every time till the climax.

Vishal is pivotal to the movie and he is comfortable in his home ground. Sathyaraj has performed his role well and the way he walks around in the police costume is very commendable. But he is underutilized in the movie due to the ensemble of star cast. Shruthi Hasan is there just to decorate the screen. She has to improvise on her dialogue delivery.

Yuvanshankar Raja’s music is forgettable. Very few positives in the movie the comedy track by Soori and Paandi combo trying to do a spoof of Koundamni and Senthil is enjoyable in parts. The stunt choreography is definitely good as in other Hari’s movies.
Overall Poojai is a mixture of Saamy, Singam, Arul and few other movies directed by Hari. It has nothing new to offer and the story definitely seem to be decade old.

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Varutha Padatha Valibar Sangam

Varutha Padatha Valibar Sangam – a tamil romantic comedy film released in 2013.  Sivanandi is a village head who is known for his violent nature. Among his priceless possession is the rifle presented to his father by the British. The movie starts with police investigating about Sivanandi’s third daughter who is known to be shot by Sivanandi as she eloped from his house along with her boyfriend. Once the news is confirmed police arrests Sivanandi and the movie travels into flashback of incidents that had led to this. Why did he kill his daughter and under what circumstances is the rest of the plot.

Director Ponram comes from the school of Director Rajesh (Boss engira Baskaran and OK OK). The movie has the same flavor of Rajesh’s movie but in a village background. Sathyaraj has a good presence in the movie and has done his character with ease. Siva Karthikeyan and Suri has been successful making audience laugh occasionally. The movie runs with the weight of its title thanks to Vadivel for getting this name in Winner. The plot is very simple and doesn’t warrant a 2.5 hours script. The sequences and situations of village fights, father not approving the love, jobless youth roaming in the village without taking anything seriously are all what you would have seen in previous movies numerous times. The only difference is the climax of the movie. Overall the movie is just an average flair and you cannot take it seriously as its lead characters do not take anything seriously, the movie just remains a forgettable one.

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