Tag Archives: Maniratnam

Drama, Genre, Must Watch, Rating, Reviews, Romance, Tamil Movies

Kaatru Veliyidai Review

2 Comments

Kaatru Veliyidai Review – Kaatru Veliyidai is a Tamil romantic drama released in 2017. VC an Indian Air Force fighter pilot is captured by Pakistani army as a war prisoner during the Kargil war, his hope to meet Leela once more keeps him alive.

Director Maniratnam creates a yet another gem out of his “Akshaya Patra” (inexhaustible vessel) of love. He still has some much more stories to tell. In Kaatru Veliyidai, he deals with yet another tale of romance the core conflict being male chauvinism. The canvas for the tale he has chosen is quite interesting. It is a love between an Air Force fighter pilot and a doctor. The swag of a pilot naturally makes the male chauvinist behavior very believable. I will not dwell more on the story and spoil any fun for you.

Ravi Varman’s cinematography is a great plus. The entire movie is a visual treat. The breathtaking view of the Himalayan mountain range makes it even richer. I couldn’t take the eyes from the screen. Extreme close up shots, communicating with eyes, a lesser number of dialogues, a slow movement of the scene to build up the drama all makes it very appealing. I love drama in the movies, off late watching the treatment of directors like Hari, KV Anand and many other directors I have led to believe that slow moving shots, communication through silence all have become old fashioned. But this vintage magic of Mani sir is still magical. Those short and sweet dialogues still evoke the emotions in you. Those silent visuals still teleport you.

The most striking performance is from Aditi Rao Hydari. She is not only eye candy but her eyes speak a lot. The scene in which she looks into the mirror and questions herself, she has performed so well. Karthi’s performance is also good. At times you feel he goes overboard with his performance but all this works well to establish his male chauvinist attitude. RJ Balaji for a change has acted in a mellowed down manner. He could make you laugh even with serious dialogues without trying too hard with mixing Tamil and English.

The music and background score of AR Rahman is very apt for the visuals. Mani sir has re-used some of the iconic romance scenes from his earlier movies shamelessly. And we too would enjoy these shamelessly as they still stay fresh after so many years.

High Points: The treatment of the core conflict of love, Breathtaking visuals, slow drama and communication through silence, Aditi’s performance are all high points.

Low Points: If you don’t like silence in movies or slow drama you might feel a bit restless.

Overall I would say Vintage Mani Sir is back. He still has a lot of love (stories) left in him. If you love movies like Mouna Raagam, Alaipayuthey, Vinnai Thaandi Varuvaaya, you would love this one too.

Must Watch

 

Drama, Genre, Romance

O Kadhal Kanmani Review

O Kadhal Kanmani Review – O Kadhal Kanmani is a Tamil romantic drama released in 2015. Aditya and Thara move into a live-in relationship without any commitment to marriage. The plot revolves around their lives.

Director Maniratnam has yet again narrated a light hearted romantic tale in O Kadhal Kanmani. The movie has most of the Mani’s signature style shots like the lead pair cuddling near the door passage on the train, travelling in public bus, short and sweet dialogues. Yet the movie is fresh and sees the world through the eyes of the newer generation. The plot is not new as it has already been explored in Bollywood in movies like Love Aaj Kal and Shuddh Desi Romance. Maniratnam has his signature touch to the plot which makes it very enjoyable watch. If you are deeply looking for a very intense storyline then there is nothing much in this, but the movie is a mere exploration of love in the present era. Cinematographer PC Sreeram and Maniratnam can create magic on the screen. The visuals are stunning. Once the hero, a video game designer and the heroine, an architect are introduced; their first outing Mental Manadhil song is a motorbike ride across Mumbai going through all beautiful architectures across the city and the visuals are like that in a video game.  The treatment is absolutely stunning. The characters of Ganapathy sir and his wife Bhavani played by Prakash raj and Leela Samson adds a much interesting layer to the story. Within the walls of a small apartment in Mumbai, Maniratnam has painted the difference between the love of yesteryear and the love of the present times. The movie slows down a bit post the first half and then gets back on track during the climax. This is a point where the director seems to have struggled pushing the narration which is not based on a strong story line. Choice of Dulquer Salman and Nithya Menen is a good one. This would be a very memorable performance for Nithya as she has carried of the chirpy, bubbly character very well. Her mannerism for smiling for everything is a very intelligent representation of how she takes life casually.

High Points: Maniratnam’s direction, A R Rahman’s music, PC Sreeram’s cinematography, Casting of the characters.

Low Points: The movie does not have a strong plot, the use of disconnected narration to keep the element of surprise might not engage everyone

Overall O Kadhal Kanmani may not be the best of Maniratnam’s movies but still an enjoyable watch for the entertaining narration and stunning visuals.

Watchable

Action, Classic, Drama, Epic, Genre, Must Watch, Rating, Reviews, Tamil Movies

Thalapathi Review

3 Comments

Thalapathi Review – Thalapathi is a Tamil action drama released in 1991. The movie is an adapted version of the mighty king and warrior Karna from the great Indian epic Mahabharata. Surya born as an illegitimate child is abandoned by his Mom and left on a basket in a goods train. He is then raised by lower caste people living by a river side. He grows up to become a loyal friend and henchman for gangster Devaraj. Both of them run parallel government in the city while the lawmen await an opportunity to take them down.

Diwali of 1991 is unforgettable for me. I was down with flu and was sad for not able to go out to watch the much awaited release of Thalapthi which went on to become a cult classic and a blockbuster. The movie’s release expectations soared sky high with Director Maniratnam and Rajinikanth coming together for the first time. Popular actors like Mamooty and Amrish Puri sharing screen space.  The soundtrack of the movie was already a super duper hit with the Ilayaraja’s violin orchestra starting off the ever famous “Raakamma Kaya Thattu” song which later went onto become the 4th most popular songs of all time in a BBC worldwide service poll across the world. The ticket reservations began a week ahead of the release and the tickets for the first time I had seen did not look like a movie ticket but looked like a mini poster with Rajinikanth and Sonu walia’s dancing still. Finally once I got well I couldn’t wait but rushed to the theater to watch movie which was already declared to be a hit with repeat audience thronging the theaters.

Director Maniratnam is a brilliant story teller. He has taken the story of Karna and made it into a cult classic. Although the movie has been told so many times as part of the epic but still Thalapathi was a very compelling watch for the screenplay, the treatment, acting performances, star cast, music, cinematography and direction. Everything was set so perfectly for this movie that made it an evergreen hit. For the first time the Tamil audience saw a very different performance from Rajinikanth. Although the story had much of the commercial elements that you would want in a Rajini movie, this one had everything in a very convincing fashion and the scenes brought out various emotions from Rajini. Be it fighting with rage, shouting out emotionally to his girlfriend, caring for his best friend, melting for his mother’s love Maniratnam got the best out of Rajinikanth after K.Balachander. He rediscovered the actor who was lost in the color of commercial cinema. The dialogues of the movie are of top notch. The sequence where there is meeting between the collector, SP, Devaraj and Surya is impact full with circular tracking shot. The movie released in 70mm which made everything on the screen look magnificent. There is never a dull moment in the movie.

Overall the movie is a feast for all movie lovers and still stands the test of time.

Must Watch – Epic

Friday Fundas

Over the shoulder shot

Over the shoulder shot is a filming technique in which a shot is taken in an angle that is gazing onto the character from over a shoulder of a different person with whom the subject is talking to. The back of the person, shoulder and the head is used as a frame the image of the scene. Although this sounds simple a lot of planning needs to go before this shot is taken like which side of the frame should the shoulder occupy and how much it should occupy so that the relevant emotions of the character in focus is shown.

This shot is very useful when you need to have the character not focusing into the camera and delivering a dialogue. Having the shoulder of the other person in the frame also intensifies the interaction between the two characters. Maniratnam had used this technique to a great extent in the movie Thalapathy for the interactions between Mamooty and Rajnikanth. It places equal importance between the two characters and also exemplifies a high degree of emotion.

Thalapathy
The scenes of interaction between Mamooty and Rajinikanth were mostly taken as over the shoulder shot

Maniratnam had also used this in Nayagan to show Kamal Hassan’s reaction for his grandson’s question “Neenga Nallavara Kettavara” (Are you a good person or a bad person) over the shoulder of the kid. K Balachandar had used this in many of his movies to highlight the emotions in the face of the main character and also to intensify the scene. The following still from Ninaithale Innikum is an example of it.

Jayaprada
Over the shoulder shot to intensify the interaction between two people.

It could simply be used to change the point of perception or to focus the attention on the main character in the scene. The following scene in the movie God Father is an example of this where over the shoulder shot is used to reinforce the presence of other people in the room and also focus is given more on Don who watches out of the window. The object of focus is in the center of the frame avoiding distractions from the right half enhances the focus on the action of the character.

God Father
Over the shoulder shot used in God Father to change the point of perception and avoid distractions

This can also be used for hiding the identity of the character like an unknown person not relevant to the plot talking to the main character or a mysterious person talking whose identity may be revealed later.

A simple and ordinary scene can be made interesting through the angle of the shot. The skill of the director and the cinematographer is involved in choosing one from a varied set of options for the camera angle. Over the shoulder shot is definitely a powerful one which has been used very aptly by many great film makers. Next time you watch a movie watch out for the camera angle in which a shot is taken.

Genre, Rating, Reviews, Romance, Tamil Movies, Thriller, Worth a Watch

Maryan

2 Comments

Maryan – is a tamil thriller movie featuring Dhanush and directed by Bharatbala. The movie is a dramatized version of a real incident where in a man from a fisherman colony owing to financial pressure goes to Sudan to work on a 2 year contract in construction industry. At the end of the tenure he is looking forward to meet the love of his life whom he had to leave when he left for Sudan. In a strange turn of events he is abducted by terrorists in Sudan desert. The rest of the movie is about his attempt to get out of the situation and return home.

This is the first commercial outing for Bharatbala who is known for creating some amazing patriotic videos including the famous Vande mataram with AR Rahman. He has done a decent job by not falling too much into the commercial elements just for the sake of it and let the story travel on its own weight. Dhanush and Parvathi menon should be lauded for their performances and they have tried to stay up to the demands of their characters. A R Rahman’s background score and cinematography by Marc Koninckx has been the highlight of the movie and will stay in your mind even after you leave the hall. The hallucination scene involving cheetah in the desert and the underwater sequences are brilliant visualizations! 20 years back Maniratnam did an adaptation of the mythological story “Satyavan – Savitri” in Roja, he painted the story in the canvas of terrorism in Kashmir. Now Bharatbala has done the same in Maryan and the canvas he has chosen is terrorists in Sudan desert . Overall the attempt is a successful one. The way of story telling might appear to be disconnected as the director doesn’t spend time in stating the obvious and moves on. The other area where he could have done better is during the characterization build up of the lead characters and other supporting cast. Leaving too many things to assumptions might have people disengaged… Overall you can’t skip Maryan for it has lots to offer than its few limitations…!

Watchable – for a different story, brilliant cinematography and apt music!