Tag Archives: Mahabharatha

Nonlinear narrative – Art of script writing from a different dimension

Nonlinear narrative – Art of script writing from a different dimension

It is good to be back with the Friday Fundas section after a while. This week I would talk about a specific style of script writing known as Non-linear narrative.

Nonlinear narrative is the art of telling a story as a list of events that are not in chronological order. The earliest form of nonlinear narrative in India has been experimented in Mahabharata. While this type of narrative has been popular in novels and stories, it has not been so easy to master this in the films. Only in the year 1924 nonlinear film emerged from French the avant-grade in the film “Entracte”, Dadaïst film by René Claire.

Sometimes people confuse non-linear narrative with films that employ flashback sequences. While you could argue them as nonlinear narratives but they may not be equivalent to narrating events in a non-chronological order. Films like Rashomon by Akira Kurosawa used non-linear narration using flashback that was non-chronological in nature.

In a typical three-act play structure a film has a beginning, middle and the end. A nonlinear narrative also has the same but not necessarily in that order (quoted by Jean-Luc Godrad, French-Swiss filmmaker). In the 1990s Quentin Tarantino employed nonlinear narrative structure in his films like Reservoir Dogs and Pulp Fiction. This made a huge difference to the viewing experience.

In Indian movies director Maniratnam in his movie Alaipayuthe very well exploited this. The movie used flashbacks and flash forwards and converged at a point, which made a difference to the narration and won many accolades.

In the late 90s entered Christopher Nolan whom I consider as a perfectionist of nonlinear narration. Recently I had seen the movie Following by Nolan. This was his first movie and made in a very small budget. But the nonlinear narration has been used very well. He never uses adages like “3 months ago” or “2 days ago” but cleverly used the hairstyle of the pivotal character and facial scar to differentiate between the timeline of the narratives. The story picks up from three points of a linear narrative and travels in parallel. It is just brilliant. He then went on to make Memento and the Batman series, which also heavily utilized the nonlinear narrative style.

A story becomes very interesting in the way it is told even if it is a same old story, which is been retold. Nonlinear narrative if executed well adds that difference and generates interest levels in the audience. Watch some of the nonlinear narratives mentioned in this article and let me know what you think.

Thalapathi Review

Thalapathi Review – Thalapathi is a Tamil action drama released in 1991. The movie is an adapted version of the mighty king and warrior Karna from the great Indian epic Mahabharata. Surya born as an illegitimate child is abandoned by his Mom and left on a basket in a goods train. He is then raised by lower caste people living by a river side. He grows up to become a loyal friend and henchman for gangster Devaraj. Both of them run parallel government in the city while the lawmen await an opportunity to take them down.

Diwali of 1991 is unforgettable for me. I was down with flu and was sad for not able to go out to watch the much awaited release of Thalapthi which went on to become a cult classic and a blockbuster. The movie’s release expectations soared sky high with Director Maniratnam and Rajinikanth coming together for the first time. Popular actors like Mamooty and Amrish Puri sharing screen space.  The soundtrack of the movie was already a super duper hit with the Ilayaraja’s violin orchestra starting off the ever famous “Raakamma Kaya Thattu” song which later went onto become the 4th most popular songs of all time in a BBC worldwide service poll across the world. The ticket reservations began a week ahead of the release and the tickets for the first time I had seen did not look like a movie ticket but looked like a mini poster with Rajinikanth and Sonu walia’s dancing still. Finally once I got well I couldn’t wait but rushed to the theater to watch movie which was already declared to be a hit with repeat audience thronging the theaters.

Director Maniratnam is a brilliant story teller. He has taken the story of Karna and made it into a cult classic. Although the movie has been told so many times as part of the epic but still Thalapathi was a very compelling watch for the screenplay, the treatment, acting performances, star cast, music, cinematography and direction. Everything was set so perfectly for this movie that made it an evergreen hit. For the first time the Tamil audience saw a very different performance from Rajinikanth. Although the story had much of the commercial elements that you would want in a Rajini movie, this one had everything in a very convincing fashion and the scenes brought out various emotions from Rajini. Be it fighting with rage, shouting out emotionally to his girlfriend, caring for his best friend, melting for his mother’s love Maniratnam got the best out of Rajinikanth after K.Balachander. He rediscovered the actor who was lost in the color of commercial cinema. The dialogues of the movie are of top notch. The sequence where there is meeting between the collector, SP, Devaraj and Surya is impact full with circular tracking shot. The movie released in 70mm which made everything on the screen look magnificent. There is never a dull moment in the movie.

Overall the movie is a feast for all movie lovers and still stands the test of time.

Must Watch – Epic