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English Movies, Genre, Guest Post, Guest Reviews, Must Watch, Rating, Reviews, SciFi

Guest Review: Interstellar

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Guest Review: Interstellar

This review of Interstellar is a guest review by one of my friends Amar Singh. 

About the Guest Author:  Amar Singh is a 
Research Scholar from Department of English, BHU
Working with Prof. Anita Singh on the topic titled, “Hyperrealism and Christopher Nolan’s Cinematic Texts.”

“A real magician tries to invent something new, that other magicians are gonna scratch their heads over.”

This line said by Alfred Borden (played by Christian Bale) in The Prestige (2006) pretty much sums up what the brand Christopher Nolan is all about. His new instalment, Interstellar, is now in the theatres and man o man, what a ride it is! If one has to capsule the story of Interstellar, it would read something like this; this is basically the story of Cooper and his bond with his daughter Murph that surpasses the limits of the universe. The plot of the movie has been based in the future where the climate of earth is deteriorating at a rapid pace. The only chance for human beings to survive is to find a new abode in some other galaxy where they can start life afresh. This daunting task is laid upon Cooper, to pilot the spaceship Endurance, which will go through a warmhole discovered near Saturn and hunt for a new earth. But the story is not as simple as it reads. There are so many elements, so many concepts that Nolan has introduced (and that is what we expect from a director who has made Memento and Inception): theory of relativity, warmhole, blackhole, time and gravity as other dimensions, and so on; that it becomes an uneasy and adventurous ride for us as it is for Cooper and his crew. But behind all these heavy concepts, there is the strong emotion of love that becomes the main thrust of this movie.

If one goes through Nolan’s movies from the beginning, there is a gradual development of an enlightening process of his protagonists that one can trace in his films, which is directly proportional to his advancement as a director. He is one of the brightest students of cinema who is trying to learn new lessons with every movie he is making. And one thing that has become his signature style is the way he is obsessed with the concept of time and how it affects us on different levels and how we fit ourselves in its not-so-linear movement. In Interstellar, he has gone way ahead of his previous movies in dealing with such high concepts which one has to brainstorm with repeated viewings to understand them. And I have not even talked about the visuals yet. Oh, what an experience it was! If there are flaws in the movie (there are a few), all of them will be subsided with the grandiose of the visuals. Just invest yourself in his world; you will come out with a never felt before riveting experience.

In the movie, when Cooper is dropped into a fifth dimension from where he gains access to time and gravity as physical entity, which he uses further to convey messages to his daughter, the very scene becomes so intense and emotional that one can go through the psyche of Nolan himself. The concept of filmmakers as someone who have an access to parallel times (which they gain through their camera) have been repeated quite a few times in different movies (Hugo and Inception are among such examples), but this movie becomes so personal for Nolan that in that very scene, we can see the struggle of a maker to look for and give directions to his greatest creation, his daughter, so that she may be safe and secure.

If you love cinema, go watch Interstellar. Whether you’ll like it or hate it, it doesn’t matter, what matters is that you will remember the experience for days and will indulge in the dialogues related with this movie. This is where cinema comes at its best, and this is what we call a true cinematic experience.

Classic, Drama, Genre, Hindi Movies, Must Watch, Rating, Reviews

Ek Ruka Hua Faisla Review

Ek Ruka Hua Faisla Review – is a Hindi drama released in 1986. This is the remake of the American Drama 12 Angry Men released in 1957. 12 men in the Jury have to come to a unanimous decision for the verdict of a criminal trial. All of them find the accused to be guilty but for one person in the room who wants to talk it through before taking a decision. The rest of the movie is on if they are able to build consensus on the verdict they are going to arrive at.

What can you do better in a remake movie whose original is perfectly made? You would need to make it exactly the same way. Director Basu Chatterjee has done the same thing in Ek Ruka Hua Faisla. It is a remake of 12 Angry men. Although Jury duty is not in our judicial system the movie dives into the conversation of 12 different men who talk about a murder case without actually dwelling into the reason of why they were chosen to discuss it. Also the dialogues for most part the exact replica of the original. It’s not easy to be so convinced with the script of someone else when making your own. Kudos should go to the team for doing this.
The original is in black and white which even made the discussion and acting more compelling. With colors you have more distractions on the screen. The director has used some well-trained actors to make the movie very engaging. It starts on a very slow note but few minutes into the plot it demands for your undivided attention. The performance of Pankaj Kapoor is of top notch. He is a great actor I always admire who could literally fit into any shoes with so much ease. He dominates the entire proceeding. A few deviations from the original movie do exist for instance the hot weather and lack of fan was not talked about as a major issue and also the movie showed some clippings of the crime scene and court hearings. I believe the director had to do this to suit to Indian audience. Culturally we are used to adjusting with what we have and hence the fan not working is not seen as a great issue. Also he was not very confident about the viewer’s intelligence which made him to include those exterior clippings as required.

Overall Ek Ruka Hua Faisla is a gem of a movie in Indian Cinema and is a must watch.

Must Watch

Drama, Genre, Thriller

Gone Girl Review

Gone Girl Review  – is an American thriller social drama released in 2014. Nick returns home on his fifth wedding anniversary to find his wife missing from home with broken furniture and covered up blood stains in the house. As the police starts investigation the mystery deepens and the plot thickens as the suspicion turns towards Nick.

Gone Girl is not just a mystery thriller but more of a social drama which hits hard on the various aspects of the society such as media frenzy public, effect of recession on marriage, dishonesty in strained relationships, upbringing of a child and so on. This one is based on the book with the same name written by Gillian Flynn.

One of the thing that would starkly hit you when watching Gone Girl is that it is very slow paced and the lighting is gloomy throughout reflecting the mood and the theme of the movie. The movie doesn’t have many elements that you would expect in a suspense thriller and I believe Director David Fincher has done it deliberately to focus on the social issues.  A lawyer specializing in protecting husbands framed for wife’s murder, reality shows and interviews with emotional confessions are brilliantly woven into the movie. The dialogues like “Your parents have plagiarized your childhood”, “There is a always an idiot in a locality” are hard hitting on the issues the movie is dealing with.  Ben Affleck is in his usual self and the role kind of suits his style of acting as it did in Argo. Rosamund Pike has a meaty role to play in the movie and this would be one of her top Hollywood movies so far.

Overall if you enjoy watching movies that are slow and with multiple twists you would enjoy Gone Girl. Many of you would find the length to be longer and a bit dragging. If you are able to appreciate the movie much beyond the pure mystery thriller it deserves a watch.

Go for this Gone Girl she ought to be found!

Watchable

Friday Fundas

Forced Perspective

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Forced Perspective

Have you ever taken a picture standing in front of Taj Mahal or Washington mall monument actually far away from it and rising up your hand so that the photo looks like you are holding the tip of the monument or tried to take the photo in an angle which appears like you are holding the sun in your hand? I am sure these images strike a bell to you… Well if you have taken these shots… then you have employed a popular technique of optical illusion in movies known as the Forced Perspective.

In this week’s Friday Fundas let us look at the amount of magic this simple technique can create. Optical illusion forms a major part with visual effects in Cinema. It is like a magic show, constructing a scene in a certain way revealing certain portions while hiding the rest to create an illusion. In the Forced perspective the depth of field gets hidden from the viewer. Like in your photo with Taj Mahal you don’t see the distance between the person and the Taj Mahal so you feel they are holding it.

Let us look at some examples in the movies. Consider a movie like the Jurassic Park. Minatures of Dinosaurs had been used in many shots. Have a miniature dinosaur very close to the camera and a person far from the camera. The camera angle is such that it covers the shot so that it appears that the dinosaur is looking down the person while the person is looking up.

Lighting plays an important role with the forced perspective. Both the objects in the scene should have the same amount of lighting so that they actually appear standing close to each other rather than standing apart. As you know light’s intensity decreases as it moves farther away. So the power of lighting should cover the near and far object sufficiently. If not you would reveal the actual distance and there would be no more illusion. Another example is Hagrid’s character in Harry Potter who is tall as compared to the others. Forced perspective was employed to shoot these sequences.

Lord of the Rings Trilogy took Forced perspective to a different level. As the movie involved dwarfs, wizards and hobbits it was very much important for them to create this illusion perfectly. With a still camera the forced perspective is easy to achieve, what if the camera is moving. In order to solve this problem they had constructed the partial set in Lord of the Rings to be move as the camera moves. The movement is done in such a way that the angle of the camera and position of the set does not reveal the actual depth of field between two characters. This is better explained by Peter Jackson and Technicians themselves. Watch the following video

Cinema is a magical medium. The tricks have to be performed the right way to make the show successful. A lot of thoughts go into designing the techniques, and it does involve a lot of science not just art.

Drama, English Movies, Epic, Genre, Must Watch, Rating, Reviews

12 Angry Men Review

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12 Angry Men Review – 12 Angry Men is an American drama released in 1957. 12 men in the Jury have to come to a unanimous decision for the verdict of a criminal trial. All of them find the accused to be guilty but for one person in the room who wants to talk it through before taking a decision. The rest of the movie is on if they are able to build consensus on the verdict they are going to arrive at.

The movie is an adaptation from a teleplay done by Reginald Rose who had co-produced this movie. Director Sidney Lumet had made this movie predominantly in a single set which is the Jury room. There are very few scenes which covers any other location than the Jury room. Although the entire movie is in a Jury room and is very dialog oriented still the movie has a gripping 96 minutes. It is as equal as any racy thriller.

The discussion is happening on a very hot afternoon in the New York City caused due to depression. The fan in the room is not working and the group is having a heated argument and actually sweating it out. As the movie travels it reaches a point when the whole atmosphere is gloomy and then there is light and then there is wind. The use of atmosphere as a metaphor for the high points in the discussion is brilliant. Even the position and stance of the 12 men is neatly coordinated and at any frame you would realize the level of involvement, consensus and agreement they have with the ongoing topic. The names of the men in the Jury is not revealed to us and only in the end there is a scene where you get to know the names of two of the men which then becomes irrelevant. The characterization of the 12 men is done very well. There are men who are not so sure of what they want, there are men with strong opinions and there are men who want to just get this out of the way so that they can attend to what they had planned for the day. The verdict is also quite serious involving death sentence or the release of the person who is accused.

This is a movie that every movie buff should watch for the sheer brilliance of the plot, characterization, props, acting and the dialogues.

Must Watch

Action, Genre, Rating, Reviews, Tamil Movies, Thriller, Worth a Watch

Kaththi Review

Kaththi Review – Kaththi is a Tamil action thriller released in 2014. Kathiresan escapes from Kolkata Jail and reaches Chennai. Circumstances lead him to rescue his look alike Jeevanandam who is fighting for his village farmers from corporate not taking possession of their lands. He double crosses and let Kolkata police arrest Jeevanandam and he takes his place to make some quick money.

Director A R Murugadoss has delivered a movie with a strong social message like he had done in his blockbuster Ramana. The film’s core part is the social issue of farmers losing land to corporate jungle. However the plot has been tailored for Vijay’s star value to make it look big. In the process the movie builds up Vijay’s star value more than the essence of the message itself. Vijay is in his comfort zone and has played his part well and this one is sure to entice not only Vijay fans but also other movie lovers as well. Vijay’s role as Jeevanandam is done well. He is composed and the scene where he breaks down for his villagers brings out the actor in him. Samantha is just there is in the movie as tick in the box for the leading lady. The first twenty minutes of the movie is made exclusively for Vijay fans and would make you feel bored with songs and not so witty screenplay. Once the story starts dealing with conflict it makes it a very engaging watch. Neil Nitin Mukesh has played the role of the baddie very well. Songs are just about average and are a distraction to the screenplay. Thanks for not including many of them in the second half which doesn’t spoil the pace of the movie. The movie suffers from cliches we had seen in 7am Arivu like repeating the problems and social message too many times. This also makes the movie lengthy and after a while you would feel ok got it… what’s next. If such minor glitches could have been avoided and the first 20 minutes of the movie had been reduced it would have made the script even racier.

Overall Kaththi has all the ingredients of a larger than life masala movie that also tries to highlight on a social issue but gets lost in the star worship. If you are able to ignore the shortcomings there is lot more to look forward in the movie, which definitely makes it watchable.

Watchable

Friday Fundas

Creative Geography – How Aamir Khan went from Chicago to Switzerland within minutes

This week’s Friday Fundas covers yet another interesting editing technique in movies popularly known as Creative Geography.

Creative Geography is an artificial landscape that is created in movies. This technique was invented by Russian film maker Lev Kuleshov. You might also remember few weeks back I had covered another popular experiment called as Kuleshov’s effect in movies which was done by Lev Kuleshov. Creative Geography involves a subset of the montage in which various segments are shot at different locations. But in the way it gets assembled during editing, all these appear to be one continuous location.

Consider a shot involving a person walking into a big bungalow and then the next shot shows him walking into a large hall. These two locations could be entirely different and in fact miles apart. But in the way the editing is done it appears to be a continuous space for the viewers. The shot of the person entering the bungalow is shot first and then the next shot is shot entirely in a different location in a hall where the person is walking in. The costume of the artist is maintained the same for the sake of continuity.

Let us now look at some examples of this in Indian movies

Dhoom 3
Dhoom 3

In the recent Bollywood movie Dhoom 3 starring Aamir Khan, the entire story is based out of Chicago, Illinois in the United States. However the climax portion of the movie where Aamir Khan rides on the top of a bridge is shot in Contra Dam, Ticino, Switzerland. Actually he starts his bike in Chicago and within few minutes he is in Switzerland. In the movie the dam is shown as a location in the outskirts of Chicago. This is achieved through editing and thus it forms the creative geography for the movie.

Nayagan
Nayagan

Similarly in the Tamil Blockbuster Nayagan the entire movie is based out of Mumbai and follows the life of a Mumbai don. The climax portion of the movie is shot in College of Engineering, Guindy. The college in Guindy becomes part of the creative geography of Mumbai for the movie.

This is again an elementary technique used in movies and it is used by the film makers to achieve the desired outcome of the image they had while writing the script. Next time when you watch movies look out for its creative geography. You will start appreciating the amount of efforts the film makers undergo to give a visually compelling product.

Action, Can Skip it, Drama, Genre, Rating, Reviews, Tamil Movies

Poojai Review

Poojai Review – is a Tamil action drama released in 2014.  Thandavam a finance company head runs a huge network for contract killers. He is growing into a unstoppable force in the city. Vasu a local money lender crosses the way of Thandavam while trying to save a honest cop from his men. The life of Vasu is not the same any more as Thandavam vows to Vasu and his dear ones. Will Vasu be able to save his dear ones is the plot of Poojai.

Director Hari is still within his safe perimeter for the story line. Villain gets up taking bath in a temple pond, hero has to save his family from the villain, everyone in the heroes family rely upon him as the savior and dare devil who can with stand any opposition than any other law and order force. Hari should realize that his perimeter is a small one and there is only so much you could do within it to make a new story. Just by changing the lead actors cannot guarantee you a new film.

For Poojai, I guess Hari had run out of steam very quickly. For me the movie ended much before the interval block. But he had created a entire big family for the hero to move the story past interval block and make it a very tiring long movie. The villain doesn’t look fearsome at all. The reason is that Vishal is able to knock him down anytime he wants. I still didn’t understand why he forgives him every time till the climax.

Vishal is pivotal to the movie and he is comfortable in his home ground. Sathyaraj has performed his role well and the way he walks around in the police costume is very commendable. But he is underutilized in the movie due to the ensemble of star cast. Shruthi Hasan is there just to decorate the screen. She has to improvise on her dialogue delivery.

Yuvanshankar Raja’s music is forgettable. Very few positives in the movie the comedy track by Soori and Paandi combo trying to do a spoof of Koundamni and Senthil is enjoyable in parts. The stunt choreography is definitely good as in other Hari’s movies.
Overall Poojai is a mixture of Saamy, Singam, Arul and few other movies directed by Hari. It has nothing new to offer and the story definitely seem to be decade old.

Can Skip it

Friday Fundas

Diegetic and Non-Diegetic Sounds in movies

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Diegetic and Non-Diegetic Sounds in movies

When Resul Pookutty received the Academy Awards Awards for best sound mixing for his work in the movie Slumdog millionaire many of us came to know the existence of department of Sound mixing in movies and the background score is not just limited to background music but also includes sound mixing.

Resul Pookutty receiving academy award
Resul Pookutty receiving academy award

In this week’s Friday Fundas we will see one of the basic ways of classifying the sounds in movies. It is done in the following two ways

  1. Diegetic Sounds
  2. Non-Diegetic Sounds

Diegetic sound is basically the sound that arises from the elements of the surroundings. These are natural and realistic sounds of the particular scene. Often this is confused as recording the real sounds during shooting. Actually diegetic sound can be composed, mixed and recorded during the dubbing of the movie. But they would represent the typical sound that would arise in the scene. For example the character is sitting in the hall, reading a newspaper and sipping a cup of coffee. The ceiling fan is turned on. The sounds of a ceiling fan, turning pages of a newspaper and placing of the coffee cup onto the table are all diegetic sounds for this sequence. These sounds can be recorded live or created later in the studio.  These are sounds that can be heard by the characters on the screen. The opening scene in Slumdog millionaire where Jamal is interrogated by a police officer is an example of Diegetic sound. The sound you hear is from the police office blowing the smoke on Jamal’s face. In the Korean movie The Chaser diegetic sound is used predominantly to build the suspense of the scene.

Non-Diegetic sound arises from outside the story space. Usually this is used to create a specific mood to the scene. For instance in the above sequence where the character is reading a newspaper, he is seeing a news article that is shocking, now a background music conveying the shock of the character is added to the scene. This coupled with the reaction of the character helps in creating the mood for the scene. These are sounds that cannot be heard by the characters on screen. Other sound elements like narrators voice is also a non-diegetic sound in the context of the movie. In the Tamil movie 7G Rainbow Colony Yuvanshankar Raja composed a background music using a symphony orchestra that goes well with the mood of the scene. As director Selvaraghavan explains it, even if you are not watching the visual the background music would convey the mood of the film. This is an example of Non-diegetic sound.

Film is a visual media and to connect the audience to the images on the screen sound mixing plays a vital role. Diegetic sounds connect the audience to the environment of the scene while Non-diegetic sounds connect the audience to the mood of the film. Normally in a movie you would have a mix of diegetic and non-diegetic sounds.

Next time you watch a scene from a movie identify the diegetic and non-diegetic sounds.

Read more Friday Fundas

Action, Classic, Drama, Epic, Genre, Must Watch, Rating, Reviews, Tamil Movies

Thalapathi Review

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Thalapathi Review – Thalapathi is a Tamil action drama released in 1991. The movie is an adapted version of the mighty king and warrior Karna from the great Indian epic Mahabharata. Surya born as an illegitimate child is abandoned by his Mom and left on a basket in a goods train. He is then raised by lower caste people living by a river side. He grows up to become a loyal friend and henchman for gangster Devaraj. Both of them run parallel government in the city while the lawmen await an opportunity to take them down.

Diwali of 1991 is unforgettable for me. I was down with flu and was sad for not able to go out to watch the much awaited release of Thalapthi which went on to become a cult classic and a blockbuster. The movie’s release expectations soared sky high with Director Maniratnam and Rajinikanth coming together for the first time. Popular actors like Mamooty and Amrish Puri sharing screen space.  The soundtrack of the movie was already a super duper hit with the Ilayaraja’s violin orchestra starting off the ever famous “Raakamma Kaya Thattu” song which later went onto become the 4th most popular songs of all time in a BBC worldwide service poll across the world. The ticket reservations began a week ahead of the release and the tickets for the first time I had seen did not look like a movie ticket but looked like a mini poster with Rajinikanth and Sonu walia’s dancing still. Finally once I got well I couldn’t wait but rushed to the theater to watch movie which was already declared to be a hit with repeat audience thronging the theaters.

Director Maniratnam is a brilliant story teller. He has taken the story of Karna and made it into a cult classic. Although the movie has been told so many times as part of the epic but still Thalapathi was a very compelling watch for the screenplay, the treatment, acting performances, star cast, music, cinematography and direction. Everything was set so perfectly for this movie that made it an evergreen hit. For the first time the Tamil audience saw a very different performance from Rajinikanth. Although the story had much of the commercial elements that you would want in a Rajini movie, this one had everything in a very convincing fashion and the scenes brought out various emotions from Rajini. Be it fighting with rage, shouting out emotionally to his girlfriend, caring for his best friend, melting for his mother’s love Maniratnam got the best out of Rajinikanth after K.Balachander. He rediscovered the actor who was lost in the color of commercial cinema. The dialogues of the movie are of top notch. The sequence where there is meeting between the collector, SP, Devaraj and Surya is impact full with circular tracking shot. The movie released in 70mm which made everything on the screen look magnificent. There is never a dull moment in the movie.

Overall the movie is a feast for all movie lovers and still stands the test of time.

Must Watch – Epic

Action, Genre, Rating, Reviews, Suspense, Tamil Movies, Thriller, Wait for DVD/TV

Aal Review

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Aal Review – Aal is a Tamil action thriller released in 2014. This movie is an adaptation of the Hindi movie Aamir released in 2008. Amir is settled well in his life happily. But one day he finds his family held as a hostage and he would need to follow instructions from some unknown person on phone to save them.

The movie states itself to be an adaptation of the Bollywood movie which is good and if you have seen the original you know what to expect from this movie. However there have been some minor variations in this script. The plot of the movie itself would connect only to a niche audience. If you see from the plot perspective and how the movie is executed it has been done well. Debutant director Aanand Krishna has done a good job with the adaptation. The most striking feature of the movie is the environment in which it is shot. It covers many of the below poverty line locality where the meaning of life is much different than the one you see in the middle class or upper middle class locality. This is very apt to suit the mood of both the movie and the main protagonist who is a middle class person. The movie opens at Elephant Gate (Yaanai Kavuni) in Chennai where a chase sequence is shown. This is done very well. So is the entire Chennai portion of the movie which is covered in similar areas.

Vidharth has done justice to his character. He looks stylish in this movie and as the movie builds up his character transforms into a desperate, confused individual. Songs are few in this movie and good that they haven’t used it during the main portion of the movie which otherwise would have been a major distraction. The love angle to Vidharth doesn’t seem to fit very well and barely has a significant connect to the plot. The dialogues are just about average. For a script of this stature some powerful dialogues could have proved to be a plus point.

Overall Aal is a decent adaptation of its original. But for a few flaws the movie is definitely gripping and the way the environment itself is used as a character in the movie is very good. You can watch this one at home.

Wait for DVD/TV

Drama, Genre, Malayalam Movies, Rating, Reviews, Worth a Watch

Vellimoonga Review

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Vellimoonga Review – Vellimoonga (Barn Owl) is a Malayalam political drama released in 2014. The movie revolves around the life of a middle aged man Mamachen who is still single and actively involved in politics. He aspires to setup his family and also rise up in politics but it is not easy as people who are jealous of him try to play spoilsport.

The movie had released without making much noise and is a very engaging drama. There is no unnecessary song and dance in the movie. It is filled with some neat performances, humor and dialogues. As the plot is drawn on a political canvas every character in the movie talks a lot. Hardly will you find any silent sequence in the movie. Biju Menon is a great choice for the role and he has carried out his role with perfection. His acting and his unique mannerisms would make Mamachen character loved by the audience. The way he always finds a way to ride in the front seat of the jeep, never pays for his ride  and his mom says that he never travels in an auto as it does not allow him to sit in the front are great examples to develop a character. Aju Varghese is very successful in making us laugh yet again. The rest of the characters in the movie are also developed well and help in moving the story along. Director Jibu Jacob has presented an engaging political drama that is fresh and satisfying. The election preparations and processions have been done well. He has also very well portrayed how the meaning of Khadi clothes has changed over time from Gandhiji to the current politicians. It has now become a trademark of Indian politics. Usually for political drama Chanakya would be used as a symbolism, but the use of Barn Owl as a symbolism in the movie is very creative.

Overall the movie is a very enjoyable affair. If you like movies with political background you would definitely enjoy Vellimoonga. There is never a dull moment in the movie and it entertains you throughout.

Watchable