Kaatru Veliyidai Review – Kaatru Veliyidai is a Tamil romantic drama released in 2017. VC an Indian Air Force fighter pilot is captured by Pakistani army as a war prisoner during the Kargil war, his hope to meet Leela once more keeps him alive.

Director Maniratnam creates a yet another gem out of his “Akshaya Patra” (inexhaustible vessel) of love. He still has some much more stories to tell. In Kaatru Veliyidai, he deals with yet another tale of romance the core conflict being male chauvinism. The canvas for the tale he has chosen is quite interesting. It is a love between an Air Force fighter pilot and a doctor. The swag of a pilot naturally makes the male chauvinist behavior very believable. I will not dwell more on the story and spoil any fun for you.

Ravi Varman’s cinematography is a great plus. The entire movie is a visual treat. The breathtaking view of the Himalayan mountain range makes it even richer. I couldn’t take the eyes from the screen. Extreme close up shots, communicating with eyes, a lesser number of dialogues, a slow movement of the scene to build up the drama all makes it very appealing. I love drama in the movies, off late watching the treatment of directors like Hari, KV Anand and many other directors I have led to believe that slow moving shots, communication through silence all have become old fashioned. But this vintage magic of Mani sir is still magical. Those short and sweet dialogues still evoke the emotions in you. Those silent visuals still teleport you.

The most striking performance is from Aditi Rao Hydari. She is not only eye candy but her eyes speak a lot. The scene in which she looks into the mirror and questions herself, she has performed so well. Karthi’s performance is also good. At times you feel he goes overboard with his performance but all this works well to establish his male chauvinist attitude. RJ Balaji for a change has acted in a mellowed down manner. He could make you laugh even with serious dialogues without trying too hard with mixing Tamil and English.

The music and background score of AR Rahman is very apt for the visuals. Mani sir has re-used some of the iconic romance scenes from his earlier movies shamelessly. And we too would enjoy these shamelessly as they still stay fresh after so many years.

High Points: The treatment of the core conflict of love, Breathtaking visuals, slow drama and communication through silence, Aditi’s performance are all high points.

Low Points: If you don’t like silence in movies or slow drama you might feel a bit restless.

Overall I would say Vintage Mani Sir is back. He still has a lot of love (stories) left in him. If you love movies like Mouna Raagam, Alaipayuthey, Vinnai Thaandi Varuvaaya, you would love this one too.

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